Composer, artist, sensory percussionist and creative technologist currently based in London. Commissions include the London Symphony Orchestra, IRCAM, Orchestre Philharmonique de Radio France, Brussels Philharmonic and Schallfeld Ensemble Graz. Recent work commissioned and premiered at the Guggenheim Museum, FACT Liverpool, BEK Bergen and ZhdK Zurich. Work and research unfold between concert and electronic music, intermedia, hybrid performance, interaction design and installation. Interested in history of sonic culture, entertainment, psychoacoustics, automation, affect and simulation. 

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About

Current/Recent

ContactWorklistMUSIC

Concert Music
Electronic Music
PERFORMANCEFake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With LoveINSTALLATIONContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
MOVING IMAGEMetamers
Rhadinace
Sound Design
RESEARCH/WORLDS Writing
Simulation

→ Zenith & Bernaskoni



Architecture and concept commission.
Electronic sound. Quadrophonic Installation. Permanent.
Audio Excerpts

Using the sensual materiality of pink noise as an aesthetic and architectural filter, the music produces a similar effect to the optical lens – to magnify and enhance the aesthetic of the concept space and its camera technologies.

A long-duration composition blends rhythmic panels of pure noise with harmonic soudscapes. Together, they will produce a sharpened, balanced but immersing presence, enriching the contact between reflective and reflecting textures: light, LED colour palletes, glass, metal, polyethylene fabric.

The sonic installation creates a clear and immediate threshold between the external and internal space of the store, bounding the shell of the space from the outside mall space. The project expands the already glistening physicality of the store and places the exhibited camera technologies into even sharper focus.