Composer, artist and sensory percussionist currently based in London. Commissions include the Guggenheim Museum,  IRCAM, Mozarteum Orchestra Salzburg, Brussels Philharmonic and Schallfeld Ensemble Graz. Recent and upcoming work commissioned by Somerset House, London Symphony Orchestra, BEK Bergen and ZhdK Zurich. My works sit between concert and electronic music, intermedia, hybrid performance, interaction design and installation. I am interested in histories and ecologies of sonic culture, entertainment, psychoacoustics, automation and simulation. 

camerongraham1 (@) gmail.com
instagram.com/poet_mechanic/
soundcloud.com/cameronmichaelgraham

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WorklistMUSIC

Concert Music
Electronic Music
PERFORMANCEFake and Extinct
Admiror
J’ai Attrappé un Éclair
Abstracts, With Love
INSTALLATIONContact Results in Contagion
Your Body is a Colony
Zenith / Bernaskoni
Encounters
MOVING IMAGEMetamers
Rhadinace
Sound Design
RESEARCH/WORLDS Writing
Simulation


MUSIC

 → CHAMBER ENSEMBLE

abide within plenitude


SCORE LINK

Flute | Clarinet | Violin | Cello | RGB Film Palettes | Sine Tones

Commissioned by the Zürcher Hochschule der Künste [ www.zhdk.ch ] and Phillip Kocher [ http://philippekocher.ch/ ]

Staging a kinetic, processual ganzfeld experiment, the piece sensorialy magnifies and focuses extremely paired down sonic and acoustic information – surround sound ambience and large-screen colour palette films.  It is a quiet, bland but intense audiovisual space in which different sensory flavours no longer stand in opposition to one another, but rather abide within plenitude.

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Cinema Video (best with headphones, in darkness)



Live performance video